(Updated with further thoughts on The Smell of Weather Turning)
My trudging work week ended yesterday with an unexpectedly pleasant surprise. The earth-loving artisans at Lush turned three floors of a building on Crosby street into a makeshift gallery to launch a number of new scents in their Gorilla Perfume fragrance line. Groovy!
My trudging work week ended yesterday with an unexpectedly pleasant surprise. The earth-loving artisans at Lush turned three floors of a building on Crosby street into a makeshift gallery to launch a number of new scents in their Gorilla Perfume fragrance line. Groovy!
The exhibit comprised a series of rooms dedicated to
particular fragrances, each one furnished with an illustration of what inspired
the scent (live dancers in one room, audio recordings of thunder in another, a
bubble machine, dirty bathroom sinks, etc.) and a VERY friendly storyteller
ready to translate smell into narrative.
In my typically nerdy fashion, I prodded these ladies and
gentlemen for as much nerdy detail about the perfumes as I could, but they
seemed far better-versed in the stories than the hard facts. After a while I
didn’t even mind, because the stories (all drawn from the global adventures of
Lush co-founder Mark Constantine and his son Simon, who author the perfumes themselves) were at the very least entertaining, and more importantly, in most
cases they really did seem to relate to the final product, rather than feeling
like a cut-throat marketing move. Kudos to these Willy Wonkas, then, for giving their scents
more of a soul than one is apt to find in most perfume these days.
A fine example is The
Smell of Freedom, which combines three olfactory portraits of people who
have suffered extreme hardship into a ‘triptych’ of sorts. The scents were
based on a Tibetan monk (clove, black pepper, ginger-honey tea), an Australian
Aboriginal (fire tree, lemon myrtle, lemongrass) and a former Guantanamo Bay prisoner
(oudh, jasmine, orris and sustainable Australian sandalwood). Each of the three
portraits is available as a perfume oil in addition to the combined scent sold
in an atomizer bottle.
Other highlights were the new Imogen Rose, a blushing Damascus rose swathed in vetiver, bergamot
and soft ambrette; Dirty, a slyly
marine-tilting alternative to Axe aimed at unshowered dudes; and three custom
scents blended for an actress, an heiress and a dutchess (all of whose hair
Mark Constantine had tended to in the 70s), each made available to the public
for the first time and exclusively at this gallery for a properly luxurious
$2,400 a pop.
My clear favorite, though, and the one that coaxed my credit
card from the safety of my wallet, is The
Smell of Weather Turning. The perfumers were encouraged to create this
‘thunderstorm in reverse’ by an employee of theirs who is also a white witch.
They drew further inspiration from the musician Simon Emmerson, who is a member
of an order of druids, as well as a dream Mark Constantine had at an Iron Age inn in Finland where they were
fed nettles and dark rye bread.
All of these experiences led Mark to insist on only using
materials that would have been available 5,000 years ago in the fragrance, and
they pulled it off with aplomb.
Weather Turning turns up an herbal bouquet of English peppermint, chamomile and nettle that anchors quickly to a heart of stately oakwood mixed with what I smell as mossy notes, which provide just the slightest hint of marine saltiness. These first phases bring it initially close to Dirty, an older scent from Lush’s now-closed Be Never Too Busy To Be Beautiful line that Luca Turin dubbed “marine mint.” Where the newer scent differs is in the sweet hay and beeswax absolutes underneath, as warm and dry as anyone could want. The combination imparts both a vague smokiness and creaminess to the last (and longest-lasting) phase, and the beeswax seems to fix the entire composition in place. Those herbs that kick everything off don’t so much collapse into this last phase as they do sink slowly into it, such that one can still apprehend their dull silhouette many hours after their opening act. Minty scents rarely work well on my skin, but Weather Turning marks a bewitching (see what I did there?) halfway point between fresh and cozy. Wearing it out of the exhibit, it actually made me feel at home in the otherwise oppressively humid, pre-storm Manhattan night.
Some of the Gorilla perfumes will be available in Lush
stores, but all of them, aside from the “three ladies”, can be purchased from
the Gorilla Perfume website in 30 ml bottles or as solids. Many of the former Be Never Too Busy To Be Beautiful perfumes (Dirty and Ladyboy among them) are also available on the site.
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